Bibliography

Books

Daniel Irrgang, Vom Umkehren der Bedeutungsvektoren. Prototypen des technischen Bildes bei Vilém Flusser. International Flusser Lectures (Cologne: Verlag der Buchhandlung Walther König, 2017). 

Articles and Essays

upcoming/accepted: Daniel Irrgang, “Transhumanist Eschatologies,” in: Critical Zones. Observatories for Earthly Politics, ed. by Bruno Latour and Peter Weibel (2020).

upcoming/accepted: Daniel Irrgang, “Vilém Flusser in open circuits: The dialogic capacity of video images,” in: Understanding Flusser, Understanding Modernism, ed. by Aaron Jaffe, Rodrigo Martini and Michael Miller. Part of the series “Understanding Philosophy, Understanding Modernism” (London et al.: Bloomsburry, 2020).

upcoming/accepted: Daniel Irrgang and Siegfried Zielinski, “The Legible City, 1988–1991, Jeffrey Shaw,” in: Kunst in Bewegung. 100 Meisterwerke mit und durch Medien, ed. by Peter Weibel and Siegfried Zielinski (2020).

upcoming/accepted: Anita Jóri and Daniel Irrgang, “Institut Scientifique de Recherche Paranaturaliste, 1972, Louis Bec,” in: Kunst in Bewegung. 100 Meisterwerke mit und durch Medien, ed. by Peter Weibel and Siegfried Zielinski (2020).

upcoming/accepted: Daniel Irrgang, “Apple I, 1976, Steve Wozniak” and “Telehor, 1919, Dénes von Mihály,” in: Kunst in Bewegung. 100 Meisterwerke mit und durch Medien, ed. by Peter Weibel and Siegfried Zielinski (2020).

upcoming/accepted: Daniel Irrgang, “Vilém Flussers Black Box,” in: Über das Öffnen und Schließen von Black Boxes. Dispositive und Artefaktarrangements als Analyseinstrumente, ed. by Eckhard Geitz, Mathis Nolte, Christian Vater and Silke Zimmer-Merkle. Part of the series “Materielle Textkulturen” (Berlin et al.: De Gruyter, 2020).

upcoming/accepted: Daniel Irrgang, “The Improbable Image: Traces of Information Aesthetics in Vilém Flusser’s Image Theory.” Azimuth. Philosophical Coordinates in Modern and Contemporary Age 13 (2019). Special issue on Vilém Flusser, ed. by Rainer Guldin.

Daniel Irrgang, “Leibniz – I Ching – Cage. Blind Thinking and Chance Operations,” in: DIA-LOGOS: Ramon Llull’s Method of Thought and Artistic Practice, ed. by Amador Vega Esquerra, Peter Weibel, and Siegfried Zielinski (Minneapolis: University of Minnesota Press, 2019), pp. 270–282.

Daniel Irrgang, text miniatures accompanying the figures “Gottfried Wilhelm Leibniz, Dissertatio de arte combinatoria” and “Diagram of I Ching / I Ging hexagrams owned by Gottfried Wilhelm Leibniz,” in: DIA-LOGOS: Ramon Llull’s Method of Thought and Artistic Practice, ed. by Amador Vega Esquerra, Peter Weibel, and Siegfried Zielinski (Minneapolis: University of Minnesota Press, 2019), p. 146 & p. 148.

Daniel Irrgang, Martin Guinard-Terrin and Bettina Korintenberg, “Critical Zones. Ein Forschungsseminar mit Bruno Latour,” in: Revue d’Allemagne et des pays de langue allemande 50/2 (2018). Focus of this issue: Humanités Environnementales. Qui de neuf du côté des méthodes?, pp. 297–308. Also going to be published in the online journal Visual Past. A Journal for the Study of Past Visual Cultures (2019/20).

Daniel Irrgang, “AnCanonical Icons,” in: Thresholds 2 (2018) [experimental digital publishing journal, University of Louisville/University of North Carolina Chapel Hill].

Daniel Irrgang, “Vorwort des Vilém Flusser Archivs, Oktober 2017” [preface to the previously unpublished publication project Flusser-Quellen, a biography of Flusser publications (1960–2002) by Klaus Sander, now available on the Vilém Flusser Archive’s website], published in: Flusser Studies 24 (2017), n. p.

Daniel Irrgang, “Eine Phänomenologie der Dinge. Vilém Flusser (1920–1991)” – preface of the first Russian translation of Flusser’s Vom Stand der Dinge, along with five essays taken from Dinge und Undinge, in: Вилем Флюссер, О положении вещей. Малая философия дизайна(Moscow: Ad Marginem Press, 2017), pp. 12­–17.

Florian Hadler and Daniel Irrgang, “No linealidad, multilinealidad, simultaneidad. Notas sobre estructuras epistemológicas,” in: Más allá del texto. Cultura digital y nuevas epistemologías, ed. by Ileana Azor Hernández, Luisa Fernanda Grijalva Maza and Alfonso Adolfo Rodolfo Gómez Rossi (Mexico City: Editorial Itaca, 2016), pp. 117–134.

Daniel Irrgang, “Topological Surfaces: On Diagrams and Graphical User Interfaces,” in: Interface Critique, ed. by Florian Hadler and Joachim Haupt (Berlin: Kadmos, 2016), pp. 49–73.

Frank Padberg, Philipp Tögel, Daniel Irrgang and Martin Häberle, “A Case Study on Emulation-based Preservation in the Museum: Flusser Hypertext.” Proceedings of the 13th International Conference on Digital Preservation IPRES (2016), pp. 149–158.

Daniel Irrgang and Sandra Moskova, “Projection in Context. Aesthetic Urban Practices on Site-Specifity.” Lazy Bastard2 (2016), n. p.

Daniel Irrgang, “‘Broadcasting belongs to the citizens!’ The potential of electronic media and the Berlin Open Channel,” in: Atlas of MediaThinking and MediaActing in Berlin, ed. by Kristin Moellering and Leon Strauch in collaboration with Stefanie Rau (Berlin: Berlin University of the Arts & transmediale/art & digital culture, 2016), map format: quadrant I7–I8.

Daniel Irrgang and Siegfried Zielinski, “Flusser ja muistit, sähköiset ja muut” [“‘…electronic or otherwise’ – Vilém Flusser”, introduction to the Finnish translation of Vilém Flusser’s essay “On Memory“]. niin & näin4/2015, pp. 33–36.

Daniel Irrgang, “Die Briefe zwischen Vilém Flusser und Felix Philipp Ingold, 1981–1990.“ Flusser Studies 20 (2015), n. p.

Daniel Irrgang, Clemens Jahn and Siegfried Zielinski) “Zur Genealogie des Flusser’schen Denkens,” diagrammatic work in: Bodenlos – Vilém Flusser und die Künste, exhibition catalogue ed. by Siegfried Zielinski and Daniel Irrgang for the Academy of Arts, Berlin (Berlin: Akademie der Künste, 2015), pp. 50–51.

Daniel Irrgang, “Vilém Flusser: Eine minimale Biografie,” in: Bodenlos – Vilém Flusser und die Künste, exhibition catalogue ed. by Siegfried Zielinski and Daniel Irrgang for the Academy of Arts, Berlin (Berlin: Akademie der Künste, 2015), pp. 117–120.

Daniel Irrgang, Clemens Jahn and Siegfried Zielinski, “Provenances and Futures: The World of Arabic-Islamic Automata as an Interface Between Old and New World,” diagrammatic work with introduction text in: Allah’s Automata. Artifacts of the Arab-Islamic Renaissance (800–1200), exhibition catalogue ed. by Siegfried Zielinski and Peter Weibel (Ostfildern: Hatje Cantz, 2015), inner cover pages.

Florian Hadler and Daniel Irrgang, “Instant Sensemaking, Immersion and Invisibility – Notes on the Genealogy of Interface Paradigms.” Punctum. International Journal of Semiotics 1 (2015). Special issue: “Semiotics of the Web,” n. p.

Daniel Irrgang, “Library / Bibliothek / Biblioteca” (pp. 250–253), “Diagram / Diagramm / Diagrama”  (pp. 142–145), “Project, to; Draft, to / Entwerfen / Projetar”  (pp. 330–333), “Telepresence, Telepräsenz, Telepresença” (pp. 396–399), “Truth, Wahrheit, Verdade” (pp. 418–421), in: Flusseriana. An Intellectual Toolbox, tri-lingual: English, German, Portuguese, ed. by Siegfried Zielinski, Peter Weibel, and Daniel Irrgang (Minneapolis: Univocal Publishing, 2015).

Daniel Irrgang and Marcel René Marburger, “Vilém Flusser. A biography” / “Vilém Flusser. Eine Biographie” / “Vilém Flusser. Uma biografia” [extensively revised biography], in: Flusseriana. An Intellectual Toolbox, tri-lingual: English, German, Portuguese, ed. by Siegfried Zielinski, Peter Weibel, and Daniel Irrgang (Minneapolis: Univocal Publishing, 2015), pp. 452–519.

Daniel Irrgang, Marcel René Marburger and Siegfried Zielinski, Introduction to the facsimile print of Vilém Flusser’s essay “Rückschlag der Werkzeuge auf das Bewusstsein,” in: Graham Harman, Die Rache der Oberfläche: Heidegger, McLuhan, Greenberg. International Flusser Lectures, ed. by Daniel Irrgang, Marcel René Marburger and Siegfried Zielinski (Cologne: Verlag der Buchhandlung Walther König, 2015), pp. 33–34.

Daniel Irrgang, “‘The intensity of concern is the measure of the real’ [introduction to a facsimile print of an essay by Vilém Flusser]” (pp. 160–161), “‘Für eine materialistische Medienwissenschaft!’ [introduction to a facsimile print of an 1973 essay by Siegfried Zielinski]” (pp. 249–250), in: Forum zur Genealogie des MedienDenkensVol. 2, ed. by Daniel Irrgang, Konstantin Daniel Haensch and Inger Neick (Berlin: UdK-Verlag, 2014).

Florian Hadler and Daniel Irrgang, “Nonlinearity, Multilinearity, Simultaneity. Notes on Epistemological Structures,” in: Interactive Narratives, New Media, and Social Engagement, proceedings, ed. by Hudson Moura, Ricardo Sternberg, Regina Cunha, Cecilia Queiroz and Martin Zeilinger (Toronto: University of Toronto, 2014), n. p.

Daniel Irrgang, “Cultura experimentalis” (pp. 56–57), “Eingreifendes Denken / Intervening Thought” (pp. 62–67) “Genealogie / Genealogy” (pp. 77–78), “Kulturtechnik / Cultural Technique” (p. 104), with Clemens Jahn: “Mediendenken / Media Thinking” (pp. 115–116), in: AnArchive – Eine minimale Enzyklopädie zur Archäologie und Variantologie der Künste und Medien / AnArchives – A Minimal Encyclopedia on Archaeology and Variantology of the Arts and Media, ed. by Claudia Giannetti (Cologne: Verlag der Buchhandlung Walther König, 2014).

Daniel Irrgang, “Diagrammatics as a Mode between Gedankenexperiment and Thinking Medium,” in: How To Do Things With Pictures. Skill, Practice, Performance. Visual Learning Vol. 3, ed. by András Benedek and Kristóf Nyíri (Frankfurt/M.: Peter Lang, 2013), pp. 149–164.

Daniel Irrgang and Clemens Jahn, “Chronotopoi der Variantologie,” diagrammatic work with introduction text in: Variantologie. Zur Tiefenzeit der Beziehungen zwischen den Künsten, Technologien und Wissenschaften, ed. by Siegfried Zielinski and Eckhard Fürlus in cooperation with Daniel Irrgang and Clemens Jahn (Berlin: Kulturverlag Kadmos, 2013), pp. 473–477.

Daniel Irrgang, “Social Media before Social Media. Kollaborative Netzwerke im Internet und darüber hinaus,” in: Forum zur Genealogie des Mediendenkens Vol. 1, ed. by Daniel Irrgang and Clemens Jahn (Berlin: UdK-Verlag, 2013), pp. 135–142.

Daniel Irrgang and Siegfried Zielinski, “Variantology, Techno-Ecologies and a Plea for an Applied Cultura Experimentalis,” in: Techno-Ecologies. Acoustic Space Vol. 11, ed.by Rasa Smite, Eric Kluitenberg and Raitis Smits (Riga: rixc, 2013), pp. 81–93.

Daniel Irrgang, “Die Umkehrung des Vergänglichen: To rise like a phoenix,“ in: To rise like a phoenix. Künstlerische Intervention, ed.by Gerhard Bär (Berlin: Project documentation for Gesellschaft für Internationale Zusammenarbeit (GIZ) and Center for International Migration and Development, 2011), n. p.

Interviews

Vilém Flusser – Die Gefahren digitaler Kommunikation,” radio feature, SWR2 (public broadcasting station for southwest of Germany), January 4, 2019; includes interviews with Oliver Bidlo, Rainer Guldin, Daniel Irrgang, Rainer Leschke, and Marcel René Marburger.

“Vorläufer des E-Book: Die Schrift auf Diskette,” Daniel Irrgang interviewing Andreas Müller-Pohle, in: Bodenlos – Vilém Flusser und die Künste, exhibition catalogue ed. by Siegfried Zielinski and Daniel Irrgang for the Academy of Arts, Berlin (Berlin: Akademie der Künste, 2015), p. 96.

Edited Books/Periodicals

Interface Critique Journal 2: Navigating the Human (2019), ed. by Florian Hadler, Alice Soiné and Daniel Irrgang.

Potential Spaces. Research and Education in Art and Design / Möglichkeitsräume. Forschung und Lehre in Kunst und Design (bilingual publication), ed. by Daniel Irrgang and Siegfried Zielinski (Karlsruhe: ZKM | Center for Art and Media, 2019).

The Political Economy of Data. On Psychometrics, Deep Learning and Net Populism, ed. by Daniel Irrgang, Peter Weibel, and Siegfried Zielinski (Karlsruhe: ZKM | Center for Art and Media, 2018).

Interface Critique Journal 1: Beyond UX (2018), ed. by Florian Hadler, Alice Soiné and Daniel Irrgang.

Erkundungen im anthropologischen Viereck. Lektionen im Kontext des Flusserschen Denkens, ed. by Daniel Irrgang and Siegfried Zielinski (Paderborn: Wilhelm Fink, 2018).

Eckhard Fürlus, “Imperitis pro lectione pictura est.” Glas – Bild – Malerei – Licht. International Flusser Lectures, ed. by Daniel Irrgang, Marcel René Marburger and Siegfried Zielinski (Cologne: Verlag der Buchhandlung Walther König, 2018).

Zur Genealogie des MedienDenkens, ed. by Daniel Irrgang and Florian Hadler (Berlin: Kulturverlag Kadmos, 2017).

Bodenlos – Vilém Flusser und die Künste, exhibition catalogue ed. by Siegfried Zielinski and Daniel Irrgang for the Academy of Arts, Berlin (Berlin: Akademie der Künste, 2015).

Flusseriana. An Intellectual Toolbox, tri-lingual: English, German, Portuguese, ed. by Siegfried Zielinski, Peter Weibel, and Daniel Irrgang (Minneapolis: Univocal Publishing, 2015). – review by Alexander R. Galloway

Graham Harman, Die Rache der Oberfläche: Heidegger, McLuhan, Greenberg. International Flusser Lectures, ed. by Daniel Irrgang, Marcel René Marburger and Siegfried Zielinski (Cologne: Verlag der Buchhandlung Walther König, 2015).

Forum zur Genealogie des MedienDenkensVol. 2, ed. by Daniel Irrgang, Konstantin Daniel Haensch and Inger Neick. Proceedings of the Forum on the Genealogy of MediaThinking in summer semester 2013 (Berlin: UdK-Verlag, 2014).

Thomas Düllo, Abwegen und Abschweifen. Versuch über die narrative Drift. International Flusser Lectures, ed. by Daniel Irrgang, Marcel René Marburger and Siegfried Zielinski (Cologne: Verlag der Buchhandlung Walther König, 2014).

Alan Shapiro, Die Software der Zukunft, oder: Das Modell geht der Realität voraus. International Flusser Lectures, ed. by Daniel Irrgang, Marcel René Marburger and Siegfried Zielinski (Cologne: Verlag der Buchhandlung Walther König, 2014).

Knut Ebeling, »quote/unquote«. Kleine Archäologie der Operatoren. International Flusser Lectures, ed. by Daniel Irrgang, Marcel René Marburger and Siegfried Zielinski (Cologne: Verlag der Buchhandlung Walther König, 2013).

Variantologie. Zur Tiefenzeit der Beziehungen zwischen den Künsten, Technologien und Wissenschaften, ed. by Siegfried Zielinski and Eckhard Fürlus in cooperation with Daniel Irrgang and Clemens Jahn (Berlin: Kulturverlag Kadmos, 2013).

Forum zur Genealogie des Mediendenkens Vol. 1. Proceedings of the Forum on the Genealogy of MediaThinking in winter semester 2012/13, ed. by Daniel Irrgang and Clemens Jahn (Berlin: UdK-Verlag, 2013).

Variantology 5– Neapolitan Affairs. On Deep Time Relations of Arts, Sciences and Technologies, ed. by Siegfried Zielinski and Eckhard Fürlus in cooperation with Daniel Irrgang (Cologne: Verlag der Buchhandlung Walther König, 2011).

Variantology 4. On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, ed. by Siegfried Zielinski and Eckhard Fürlus in cooperation with Daniel Irrgang and Franziska Latell (Cologne: Verlag der Buchhandlung Walther König, 2010). 

Translations

George Saliba: „Verschwommene Ränder. An der Schnittstelle von Wissenschaft, Kultur und Kunst,“ in: Variantologie. Zur Tiefenzeit der Beziehungen zwischen den Künsten, Technologien und Wissenschaften, ed. by Siegfried Zielinski and Eckhard Fürlus in cooperation with Daniel Irrgang and Clemens Jahn (Berlin: Kulturverlag Kadmos, 2013), pp. 294–314.